Contained neo-noir, single city, night-heavy. Packaging: offer out to name lead via CSA casting · Louisiana credit application with statute counsel · chain of title clear · core crew attached · writer-director-DP with own cinema rig.
Second noir on the slate — muscle, money, and a hero who fights dirtier than the town. Development: visual treatment locked · script in revision.
Mumbai neo-noir — a burned-out Western operative, a land-grab in Dharavi, and the gang war it ignites. Development: co-production structure, international casting.
Waterfront noir from the Goodis shelf, told frame by frame in the house style.
A noir that stays up all night. Complete visual treatment in the story book.
1983–85: the Crider brothers, seventeen victims, and the Shreveport detectives who broke it open through painstaking confessions. Format: limited docuseries · archive-driven · comps: Nightcrawler, Spotlight.
Live-music television from underground Nashville — a subterranean venue built for broadcast. Format: sponsor-driven concert series · pilot-first · multicam capture by the house crew.
A deal made at the crossroads — some debts can’t be paid. Juke joint noir built around a singer. Pages in progress.
The noir novelist behind Dark Passage and Shoot the Piano Player, retraced through his Philadelphia streets. Rescanned, regraded, remixed.
Hardboiled PI noir — a busted cop feeds the tide at high water. Practical locations, available-light night work, real streets.
Monochrome noir, narration-driven, cut to the bone. Hard-contrast grade struck from the original photography.
